Punk’s not dead. It’s seething, snarling, and screaming louder than ever!

Thoughts Words Action review Zero Again's ‘Ever-Changing Is the Art of Death’ CD

Punk’s not dead. It’s seething, snarling, and screaming louder than ever through the latest album by Zero Again, Ever-Changing Is the Art of Death. The Bristol-based anarcho-punks have crafted a full-length record sharp as a blade and urgent as a fire alarm in a burning building. With fourteen blistering tracks, Zero Again reasserts their place in the hardcore pantheon with a familiar yet evolved sound. They don’t reinvent their formula, they refine it. And in doing so, they remind us that consistency, when done with precision and passion, can be revolutionary. The album opens with the static promise of feedback. It’s a classic punk move, but one that still thrills. That slow build erupts into Insight Into Ignorance, a brutal, intelligent piece that lays down the theme, this is an album about anguish, about awareness, and about fighting through the fog of manipulated reality. From this moment forward, Zero Again makes it clear, they are not here to entertain, they are here to educate, to provoke, and to awaken.

The vocals shine in this sonic equation. Whether delivering powerful shouts or screams, the lead vocalist sounds raw, honest, and feral. Together with back vocals and singalongs, these harmonies knot, shout and seethe. There’s unquestionable rage packed in these songs, but also clarity that makes meaningful lyrics hearable even during the faster moments of this record. The guitars roar when needed, but not afraid of subtlety either. With sustained notes, intricate picking, and sudden flurries, this playing techniques build mood just as much as it builds momentum. There are hints of Oi Polloi’s earlier records, Resist’s powerful riffs, Killing Joke’s atmospherics, you’ll also hear nods to some modern post-punk bands, and even the whirlwind precision of early Discharge. But more than anything, there is personality that defines this album. The basslines add more weight. These low-ends are melodic without losing that aggressive edge, winding beneath the fury with intelligence and intent. Glasper unquestionably deepens the impact of this release. Zero Again’s sound is dense, textured, and dynamic thanks to his playlist techniques. The drumming exemplifies controlled chaos, fluid, fierce, and full of unexpected turns. Whether galloping at full speed or slamming into abrupt halts, the rhythm section anchors the chaos without curbing it. It’s an athletic, almost jazz-like approach to percussion, disciplined but wild.

Lyrically, Ever-Changing Is the Art of Death hits hard. The band tears into government policy, media manipulation, and systemic abuse with both poetry and venom. Uneasy Reflection and Construct Of Hate are just a couple of many standouts, urging listeners to redirect their anger, not at scapegoats, but at those in power who fuel division and profit from pain. Border Con/Troll is another blistering attack on nationalism and xenophobia, using clever wordplay to highlight the cruel absurdity of immigration fearmongering. The band’s class analysis is especially sharp. There are many songs on this album that dismantle the lies of trickle-down economics and exposes the violence of capitalist policies. These aren’t just punk songs, they’re economic indictments, dressed in distortion and spit. But Zero Again also looks inward. Tracks like Waiting to Die and Entitled confront self-destruction and toxic behaviours within and beyond the punk scene. Construct of Hate stands out as a rejection of the bigotry that sometimes festers in subcultures built on rebellion. There is also a deep empathy pulsing beneath the rage. There are tracks pointing out the horrors of war, particularly the slaughter of civilians in Gaza. It is a lament, a scream, a refusal to stay silent while injustice is normalized through headlines and hashtags.

Trophy Killing and Without Consequence speak to ecological collapse and animal cruelty with fury and precision. Punk, in Zero Again’s hands, becomes an instrument of eco-anarchism, a howl for the earth, for the voiceless, for the hunted. The album’s sound mirrors its themes. It is powerful but never clumsy. Aggressive, but always articulate. The production is sharp and unrelenting, clear enough to capture every nuance, and dirty enough to preserve the grit. The cover artwork plays significant role in depicting all the themes incorporated in their songs. Andy Lefton perfectly captured themes of death, decay, and resistance. You feel the dread before you hear the first note. And then, the music confirms it. There is nothing accidental about this record. Every lyric, every riff, every snare hit is crafted with purpose. It wears its influences with pride, but it stands on its own terms. Zero Again never sounded like a sum of their influences. They always sounded like Zero Again. Ever-Changing Is the Art of Death is a modern anarcho-punk masterpiece. It’s a torch passed from the older guards of punk to a generation still hungry for justice, for truth, for change. And Zero Again delivers it with such precision and finesse Zero Again have proven that punk is not nostalgia. It’s a necessity. It’s not fashion. It’s fury. So buy the CD. Play it loud. Let it knock the cobwebs off your conscience. Let it remind you that noise can still matter. That music can still fight. And that art, when made with love, rage, and purpose, can still change the world.

https://thoughtswordsaction.com/2025/04/16/zero-again-ever-changing-is-the-art-of-death-cd-engineer-records/